Boris FX, a developer of integrated VFX and workflow technology for video and film, announced Boris Continuum Complete 8 FxPlug (BCC 8 FxPlug). BCC 8 FxPlug delivers 200+ comprehensive VFX filters to Apple Final Cut Pro 7, Apple Final Cut Pro X, and Apple Motion 5. Enhanced lens flares, particles, glows, and lights and new FxPlug 2 integration headline the Version 8 release.

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Saving time and post-production budgets, Boris Continuum Complete gives editors and motion graphics artists the power to create high-quality broadcast graphics and perform project-saving image restorations within Final Cut Pro. A whopping 200+ filters include extruded text, 3D particle effects, image restoration and touchup tools, true 3D lens flares and volumetric lighting effects, keys and mattes, color grading tools, time-based effects, blurs, glows, stylish auto-animating transitions, and cinematic effects such as film glow, film grain, and film process looks.

Boris Continuum Complete 8 FxPlug new feature highlights:

• New Final Cut Pro X Templates allow editors to quickly achieve powerful VFX with great-looking, easy-to-use Glows, Lights, Particles, and Tilt-Shift effects. In addition to taking advantage of the Final Cut Pro X templates included with BCC 8 FxPlug, editors are able to create their own FCP X templates with BCC FxPlug in Motion 5, and access and reuse these templates in FCP X without going back to Motion 5.
• All-New Final Cut Pro X Transitions. BCC FxPlug features all-new designer transition effects for FCP X ranging from lens flares and lens blurs to organic wipes and dissolves.
• Extrusions for Final Cut Pro X. BCC FxPlug gives FCP X users first-ever access to powerful extrusion filters that make it easy to create 3D objects using text and shapes. The Extruded Text filter creates stunning 3D text elements. Extruded EPS provides an easy way to import and extrude Adobe Illustrator layered vector logos. Type-on Text creates animated text type-ons that fly in from behind or toward the camera or slide into view from the top, left, bottom, or right of the screen either letter-by-letter, word-by-word, or line-by-line. Layer Deformer generates useful 3D shapes such as planes, cubes, spheres, and cylinders and deforms these objects using built-in vertex and pixel shaders.
• Beat Reactor Technology is now built into many BCC FxPlug filters, making it easy to generate audio-driven effects such as a pulsing light or glow.
• Built-in Masking System for Final Cut Pro X. Many BCC FxPlug filters feature PixelChooser, a totally unique built-in masking system. This easy-to-use system allows editors to selectively apply a BCC filter to video by matting out a portion of the image based on criteria ranging from color channel information to simple geometric shapes.
• Built-in Motion Tracking for Final Cut Pro X. Built-in, automated motion tracking allows editors to animate layers based on one or more user-selected tracking points, facilitating day-to-day tasks such as match-moving, corner pinning, and wire and rig removal.
• Lens Blur Effects for Final Cut Pro X. Multiprocessor-accelerated lens blurring effects allow editors to match looks traditionally achieved by a camera lens aperture setting.
• Versatile, High-Quality Glow Effects. New to BCC 8 FxPlug, the BCC Film Glow filter offers precise threshold control, glow color control, individual X and Y glow width control for vertical or horizontal glows, and even individual glow scale for each color in the image. The filter also provides several useful built-in tools:
• Blend Modes which determine how the glow composites with the image
• PixelChooser for confining the glow source to a specified area of the frame
• Beat Reactor for audio-driven glow effects
• Motion Tracking to track a glow with a PixelChooser-determined region
• Auto-animated, randomized flicker option for the intensity and threshold controls

Other all-new BCC 8 FxPlug filters include:

• BCC Flicker Fixer: repairs video affected by flickering light or uneven shutter exposure.
• BCC Lens Flare 3D: leverages GPU acceleration to create cinematic looks, stylish broadcast design elements, and beautiful transitions.
• BCC Particle Emitter 3D: gives 3D broadcast designers the ultimate particle machine, providing an incredibly powerful, flexible, and OpenGL-accelerated particle system.
• BCC Organic Strands: emulates flowing strands of matter, glowing plasma, or hundreds of other creative options to enhance broadcast graphics.
• BCC Wild Cards: provides an easy-to-use particle-based filter for building complex designs of 2D images in 3D space.
• BCC Stage Light: simulates production lights, projectors, or stage lighting. This powerful volumetric lighting tool adds striking realism to 3D composites.

Click for 14-day free trial of Boris Continuum Complete v8 for FCP 7.

Click for public beta of BCC for FCP X.

Click for more information about BorisFX.

Digital Anarchy has developed a plugin called Flicker Free. Working with FCP, Premiere Pro and After Effects (among others) it very effectively removes flicker from time lapses, slow motion and refresh rate phasing (LED lighting and monitor screens).

Time lapse is a widely used filmmaking technique. It was first made popular during the video DSLR movement and since then a multitude of accessories and software support to improve the workflow has been developed. One aspect of these is flicker reduction software, smoothing out exposure shifts over a long period of time.

I’ve used a few selections that have been great at this process. Similar problems are present in other genres of filmmaking. As these become more popular, many are encountering new forms of flicker on a regular basis. Slow motion and LED lighting have become repeated offenders, as they become more accessible and cost effective. However these are different forms of flicker to the kind we often find related with time lapse.

LED and monitor screen flicker modulate and band. Slow motion can also, stemming from light sources and can be a lot more prominent than exposure shifts within time lapses. For these reasons, the same flicker reduction tools have not always been effective. Where these time lapse specific flicker reduction tools fall short, is where Flicker Free steps in.

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Philip Bloom made a tutorial on a DIY method for slow motion flicker removal. This is only effective with certain types of slow motion flicker, where the conflicting light source is strictly on/off (no modulating). Opacity blending frames can also create a kind of motion blur, so the technique is not always effective.

Back onto Flicker Free. The software works by analyzing frames within your image, and how the luminance and brightness values relate with neighbouring frames. It then looks to smooth out these changes by adding light exposure alterations.

The plugin by Digital Anarchy is quick and simple to use, working seamlessly with your parent NLE system. It contains a few presets including time lapse, slow mo and a few different types of LED lights and monitor screens. It then has a few parameters including sensitivity, threshold, time radius and ability analyze channels independently/together. I strongly recommend checking out the instruction manual found here for explanations of how each parameter affects your outcome.

The test footage online is a little hard to determine due to the low quality output, so I put it to some test of my own. Below is a quick example timeline of a few conflicting clips I’ve found in my own archives (some 4 years old!). Pay particular attention to the modulating flicker resolution of clip 2, this is really where this plugin shines as modulating flicker is hard to remove.

It doesn’t remove all of it as you can see, but it does a pretty decent job for the most of it. In regards to the last clip, I thought I’d add three examples – original, preset applied and preset tweaked. This just gives you an idea of what it looks like in comparison to applying one of the untouched presets, and after you have adjusted the parameters to suit your clip.

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It’s clear that in some cases you have to tweak the settings to get it just right. For reference, 90% of the other clips were just a preset. There was some flicker I wasn’t able to come close to removing in another clip (frame grab below), caused by my Ice Light. However this modulation was more of a band than a flicker, and I anticipated it would be a little too much for the plugin as the luminance values are very similar throughout the whole clip.

Digital Anarchy states that the larger the bands usually the more effective the plugin will be.

There are quite a few plugins out there that can resolve similar results. However these are usually tied up in expensive software packages. Flicker Free is simply a nice cost effective third party plugin to a NLE system of your choice. Whilst it shouldn’t be relied on as a fundamental part to any workflow, it certainly does well at getting you out of some otherwise awkward situations.

via Philip Bloom

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